Before the daylight, in the morning, the host and his huntsmen
set out after the boar. The poet describes in detail how
cheerful the all-day-long hunt is, using a lot of details
and images: there are men with "mighty bows," brave knights
and their flying arrows, a lot of horns and barking hounds.
Many hunters fear for their lives but the lord, the bravest
of them all and a true knight, shows the example by leading
the chase for the boar because it is his duty to be a shining
example to his people. "And many feared for their lives, and
fell back a little. But the lord on a lively horse leads the
chase." [Norton, 1463-1464]
In the next scene, the poet turns away from the hunting scene
to the Sir Gawain's bedroom in the castle, where he peacefully
awakens from sleep. It seems that the poet intentionally
positions the bedroom scenes within the hunting scenes: the
symbolic hunt juxtaposed with the literal hunt. The lady,
the host's wife, carefully enters the room. She sits beside
him on the bed and he pretends to be surprised at seeing her
here. The passage revolves around the host's wife attempts
to seduce Sir Gawain, and he tries to avoid the consequences
of such thing happening. She is a real temptress, tests his
courtesy, virtue, decency, and a real object of courtly love,
but he acts in accord with court's rules of love. "I am yours
to command, to kiss when you please; You may lay on as you like,
and leave off at will." [Norton, 1501-1502].
As the persuasion becomes more and more aggressive, she starts using
compliments and blames him for neglecting her feelings. "And you are
the noblest knight known in your time; No household under heaven
but has heard of you fame... Yet never has a fair phrase fallen
from your lips of the language of love, not one little word!"
[Norton, 1520-1524]
She is angry because other knights try to make their ladies
happy, but he is, on the contrary, cold to her and never
talks to her of the language of love, "not one little word."
That makes her wonder if he is ignorant about love and whether
he likes her at all. "How! Are you artless, whom all men praise?
Or do you doom me so dull, or deaf to such words?" [Norton,
1528-1529] At the end of the passage, she continues to flirt with
him very actively, pointing out that her husband is away on the
hunt and the entire castle is asleep.
Sir Gawain and the Green Knight is a tale of romance, irony
and courtesy, that portrays the image of courtly relationships
in a clear way. The lady is testing Gawain's morals by
challenging his duty as a courteous knight to do as lady
wishes. By admitting, in a polite and tactful manner, that she
is a better person than he is and that he is not worthy of her
affection, humble and courteous Sir Gawain is able to retain his
honor.
Passage Analysis:
First Morning in the Green Castle
Sir Gawain plays a significant role in many Arthurian
legends in the Middle Ages. In Sir Gawain and the Green
Knight he is the main hero, a warrior, with the concentration
on the upcoming battle, rather than a seducing knight.
During Gawain's visit to Bercilak's castle, the host's wife
makes three advances to seduce Gawain into an adulterous
relationship. With all his will power he tries to ignore
advances of the Bercilak's wife. Some of the chivalric
values, courage, respect for hospitality, honesty, pride,
nobility and courtly love, help Sir Gawain in his query.
The latter scenes explore the world of men and the appropriate
environment for male chivalric actions. The lord is in the
lead, the courageous and most active of the hunters. The
bedroom scenes show another world of male-female relationship,
where again, the knight proves his noble standing and devotion
to true knighthood.
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