THE COMPOSITIONS OF THEODORE "FATS" NAVARRO

 

 

Fat Boy                               

Theodore Navarro

1946

12 (Blues)

Bb

mm. c. 200

 

Fat Girl [Big Lady][1]

Theodore Navarro

1947

32AABA

(I Got Rhythm with Honeysuckle Rose-bridge)

F

mm. c. 195                               

Ice Freezes Red                  

Tadd Dameron - Theodore Navarro[2]

1947

32ABA'C (Indiana)

Ab

mm. c. 250

Eb Pob

Theodore Navarro[3] - Leo Parker

1947

32AABA (I Got Rhythm)

Bb

mm. c. 195

Goin' To Minton's              

Theodore Navarro

1947

32AABA (I Got Rhythm)

Bb

mm. c. 255

Nostalgia                             

Theodore Navarro

1947

32 ABAC (Out Of Nowhere)

G

Mm. c. 150


Barry's Bop
[Fats Flats][4]         

Theodore Navarro

1947 

32AABA (What Is This Thing Called Love)

Bb

mm. c. 235

 

Bebop Romp [Rebop Romp][5]   

Theodore Navarro

1947

32ABAC (Fine And Dandy)

Ab

 mm. c. 225

Fats Blows                          

Theodore Navarro

1947

32AABA (Lady Be Good)

F

mm. c. 250


 

The Skunk                          

Howard McGhee - Theodore Navarro[6]

1948

12 (Blues)

Db

mm. c.160

Boperation                          

Howard McGhee - Theodore Navarro

1948

32ABCA (original chord sequence?)

F

mm. c.170

Double Talk                        

Howard McGhee – Theodore Navarro[7]

1948

32AABA (Lady Be Good)

F

mm. c. 220

Infatuation

Theodore Navarro[8] 

1949 

32ABAC (Gone With  The Wind)

Ab

mm. c. 60

 

In the BMI files Fats Navarro is registered for Wailing Wail, too. We have no doubt that this tune is Don Lanphere’s composition alone.

 

In the BMI files Fats Navarro further is registered for, Eskimo Kiss Polka. This is a mistake. The songwriter/composers of this tune really are Ted Navarre and Johnny Cale, with no connections to Fats Navarro.

 

It should also be mentioned here that John Lewis about 1948 wrote a tune for Fats Navarro titled Navarize. This tune probably was on the repertoire of the Dameron group in 1948. Dameron played it titled Miles at a broadcast February 26, 1949, with Miles Davis on trumpet. Modern Jazz Quartet recorded this tune titled  Milano December 23, 1954.

 

 



[1] The alternative title was used in a Radio Broadcast with Lionel Hampton May 8, 1948.

[2] The credit to Fats Navarro may  solely come from the fact that he was the leader of this recording date.

[3] The credit to Fats Navarro may  solely come from the fact that he was the leader of this recording date.

[4] The alternative title was used in a Radio Broadcast, Bands For Bonds November 11, 1947, before the tune was commercially recorded

[5] The alternative title was used on some commercial issues

[6] The BMI files only credits McGhee. The conventional crediting is McGhee-Navarro. The credit to Fats Navarro may solely come from the fact that he was the initiator of this recording date.

[7] The BMI files only credits McGhee. The conventional crediting is McGhee-Navarro. The credit to Fats Navarro may solely come from the fact that he was the initiator of this recording date.

[8] Registered so in the BMI files. The recorded tune has no written line. The intro though, has the character of a premeditated line.