Publications
1. F.T. Marchese. 2013. “Conserving
Software-based Artwork through Software Engineering,” In Proceedings of the
2013 Digital Heritage International Congress (Marseille, France, Oct. 28 –
Nov. 1), vol 2, pp. 181 -
184. PDF
2. F.T. Marchese. 2013. “Software Archaeology and
the Preservation of Code-based Digital Art,” in Proceedings of Archiving
2013 (Washington, DC, April 2-5, 2013). Springfield, VA: Society for
Imaging Science and Technology, pp. 25 -30. PDF
3.
F.T.
Marchese and M.P.K Shergill. 2012. “500 Year
Documentation,” In Proceedings of
DocEng’12 (Paris, France, September 4–7, 2012), Association for Computing
Machinery, NY, pp. 157 -160. PDF
4. F.T. Marchese. 2011. “Conserving Digital Art for Deep Time,” Leonardo, 44 (4), pp. 302 -308, doi:10.1162/LEON_a_00206. PDF
5. F.T. Marchese. 2011. “Conserving Digital Art for the Ages,” Media in Transition 7: Unstable Platforms: The Promise and Peril of Transition (Boston, MIT, May 13-15, 2011). PDF
1.
F.T.
Marchese. 2012. Flow, Catalog, Pace
Digital Gallery (November). Pace University, NY.
2. J-A Greene, H. Thorington, J. McDonald, and F.T. Marchese. 2010. .David Crawford: Retrospective, Catalog, Pace Digital Gallery (September). Pace University, NY. PDF
3. F.T. Marchese. 2010. Map Marking, Catalog, Pace Digital Gallery (April). Pace University, NY. PDF
4. F.T. Marchese. 2009. Digital Marginalia: Annotation, Illumination, Appropriation, Catalog, Pace Digital Gallery (October). Pace University, NY. PDF
1. F.T. Marchese. 2006. “The Making of Trigger and the Agile Engineering of Artist-Scientist Collaboration,” In Proceedings of the Tenth International Conference on Information Visualization: IV'06 (London, July), IEEE Press, pp. 839-844. PDF
2. S. M. Marchese and F.T. Marchese. 2004. “Plato’s Cave: an Image Stream Installation within an Office Setting,” In Proceedings of the Eighth International Conference on Information Visualization: IV’04 (London, July), IEEE Press, pp.954-958. PDF
3. S.M. Marchese and F.T. Marchese. 1995. “Digital Media and Ephemeralness: Art, Artist and Viewer”, Leonardo, 28 (5), pp. 433-435. PDF