Digital Conservation Resources

References

Presentations

Preserving Digital for Deep time  ppt

 

Paradigm Shifts in the Conservation of Electronic Art

 

Publications

  1. F.T. Marchese. 2011. “Conserving Digital Art for the Ages,” Media in Transition 7: Unstable Platforms: The Promise and Peril of Transition (Boston, MIT, May 13-15, 2011).     PDF
  2. T.A. Yeung, S. Carpendale and S. Greenberg, “Preservation of Art in the Digital Realm,” The Proceedings of iPRES2008: The Fifth International Conference on Digital Preservation, (London: British Library, 2008)           PDF
  3. “Digital Preservation,” ECRIM News, No. 80, January, 2010.  PDF
  4. L. Aversano and M. Tortorella. 2004. “An assessment strategy for identifying legacy system evolution requirements in eBusiness context: Research Articles.” J. Softw. Maint. Evol. 16, 4-5 (July 2004), 255-276.          PDF
  5. C. Becker, G. Kolar, J. Kung, and A. Rauber. 2007. “Preserving interactive multimedia art: a case study in preservation planning”. In Proceedings of the 10th international conference on Asian digital libraries: looking back 10 years and forging new frontiers (ICADL'07), D. Hoe-Lian Goh, et al. (Eds.). Springer-Verlag, Berlin, Heidelberg, 257-266.   PDF
  6. .J. Bisbal, D. Lawless, B. Wu, and J. Grimson. 1999. “Legacy Information Systems: Issues and Directions.” IEEE Softw. 16, 5 (September 1999), 103-111.     PDF

 

Select Digital Artwork

Artist(s) and Artwork Websites

Artist

Artwork

Kate Armstrong & Michael Tippett

MW2MW (Marek Walczak & Martin Wattenberg)

Thinking Machine

 

Digital Art Exhibitions and Related Digital Art and Design Web Sites

Exhibition at The Museum of Modern Art (New York)

Exhibition at the V & A Museum (London)

Commissions & exhibits new web-based art forms (Also see its Networked_Performance Blog)

Website dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology.

Website related to Stephen Wilson’s books on information art (Information Arts: Intersections of Art, Science, and Technology and Art+Science Now)